Choose the Red Pill

by Sam Carpenter on June 21, 2010

Facing reality can be invigorating

Late last Thursday evening Linda and I watched The Matrix. Larry and Andy Wachowski’s film masterpiece, it was my fourth viewing and Linda’s first. Watching it yet again was as epic as my first viewing back in 1999 and so, Friday morning, I back-burnered today’s scheduled post and wrote this one instead.

If you are one of the seven adults in the world who haven’t seen the movie, this is a spoiler-alert. I won’t go into much plot detail here but know The Matrix is best experienced cold-turkey. Maybe set this post aside until you’ve seen it.

As I cued up the DVD in the Blu-Ray player, I glanced at the Netflix disc cover and its brief description of the movie. The memories came back when I noticed the release date was back in 1999, just prior to my personal “systems mini-enlightenment.” (I describe this personal awakening in my book, Work the System.) For those of you who haven’t read it, one of Work’s key premises is that it’s possible to experience a sudden and permanent change in how one perceives the world. The Matrix carries the same message and so I had used a quote from the screenplay in my book.

So, before we began to watch the movie, I off-handedly opened a copy of Work to the Chapter entitled Getting It and read Linda the quote from The Matrix that begins the chapter. It’s Morpheus speaking, the sagacious, Yoda-like character played by Laurence Fishburne.

For those of you who have not seen the movie (and have so far ignored the above spoiler alert), know that it’s a mind-bender extraordinaire. The acting and production are terrific but it’s the electrifying mind-jolt that makes it the best sci-fi picture of the past thirty years. Watch it with a clear head, pay close attention to subtleties, and it damn well makes you think. The implausible plot notwithstanding, the movie opens the door for the viewer to question his or her up-until-now assumptions of reality.

Near the beginning of the movie, Neo (Keanu Reeves), the protagonist, must make a decision. He can choose to see the ugly truth of his world and learn to deal with that reality, or he can decide to continue negotiating his life in a somnambulant stupor, floating on the safe and convenient assumption that reality is as it appears to be. He makes the proper choice (the “red pill”) knowing full-well that swallowing it could reveal a painful and irreversible hard truth. Then, in gut-churning contortion, that’s exactly what happens as he learns the deeper reality of his world that is, well…let’s just say…different from what he thought it was. For those of you who have seen the movie, you understand the not-so-subtle message that we as individuals could very well be living delusional lives; missing major truths that, if we could just see them, would give us the power to break free; to get what we want in our lives. This is the primary message of the movie (and yes, my book): By learning the down-and-dirty truth of how the mechanical world really operates, however punishing that truth might be, one will find more control over life.

Knowledge is power.

Another salient point: Making life-changes due to a dramatically new vision probably includes walking away from something and/or someone,  never to return. The new path is too disparate from the original path.

So we watched the movie, mesmerized. After it ended in Friday morning’s wee hours,  Linda went to bed and I, totally wired, read Work’s Chapter 7, the one that begins with Morpheus’ quote. While reading, it occurred to me that back in 1999 as I sat alone in a Saturday matinee watching The Matrix for the first time,  the movie must have been a catalyst for the systems awakening I would experience a few weeks later. Although I was mentally and physically ripe for the insight, it may very well have been this shoot-em-up Hollywood movie that pushed me over the edge, to go a layer deeper, to understand the world is not a confused mass of sights, sounds and events, but a logical collection of linear systems.

That was eleven years ago. The new vision was so vastly different from my previous life-stance, it took me five years of stumbling and experimentation to straighten out my world and to perfect what I call the Work the System Method.  If I knew then what I know now, I could have repaired my life in one to two years.

In the beginning, Neo felt “something is not right with the world.” He carried on anyway, as we all do. If your life is not clicking along efficiently, give it a shot: File away pre-conceived notions of how you think your world operates and consider a new, mechanical vantage point. Choose the red pill and see what happens next.

As I began writing Work the System in early 2006, the Chapter, Getting It, was the first one I completed. Describing a “room full of boxes,” it’s my favorite passage, a metaphorical description of the system improvement process. The first part of the chapter follows.

______________

 Work the System:
The Simple Mechanics of Making More and Working Less

Chapter 7, partial

I’m trying to free your mind but I can only show you the door.
You’re the one who has to walk through it.

—Morpheus (Laurence Fishburne) from the movie The Matrix
(Warner Bros. Pictures, 1999)

First you work your systems, then your systems do the work. Imagine the following metaphorical scenario.

Recently it became clear that one of the managers in the company where you work had neglected his department. It showed in the lack of output and the general chaos.

Yesterday, he was fired.

You feel bad the department manager lost his job, but you understand why it happened. This sometimes occurs, and when it does you usually see it firsthand. You are a troubleshooter for your organization, and your role is to get the apples back on the cart when they fall off.

You make your way to the department, which occupies a single room in your building.

You walk through a door into a large, dimly-lit room. It’s one you’ve been in before. The room is empty except for several dozen wooden boxes varying in size. The containers, each with a hinged wooden lid, are scattered around the room. You begin by replacing the burnt-out light bulbs and then pushing the boxes around so they are in order, taking time to organize them so you can perform your work in a logical way.

You’ve brought your toolbox, and of course you have written technical instructions if there are questions. The repair and maintenance procedures are understandable and well thought-out. You know this because you are the one who supervised their creation.

Because of the previous neglect of the contents of these boxes, you knew before you came here that completing this job would require a long day. You hunker down and get to work.

You open the lid of the first box and find a mechanical apparatus within. It’s made up of gears, wires, and levers, and because you are a technician trained in understanding the construction of such devices, what you see makes sense. It is clear to you what this mechanism does and how it is put together. Peering deeper into the box to examine the intricacies within, it is apparent that adjustments are necessary. You make them. In the course of your work you notice an obsolete component. You replace it with an updated version (you always carry spares). This revision will make the device more efficient and reliable.

Then you oil the moving parts and finish by cleaning up the mechanism, wiping it off.

Finally, you thoroughly test it to make sure it’s working perfectly. It is.

On the inside of the box lid you write the date and your initials, along with a brief summary of what you did so that when the new department manager shows up for the first day of work, he or she will know what you’ve done, and when.

You close the lid and move on to the next box. You repeat the process. One by one you move through all the boxes, making each of the unique mechanisms within them perfect, closing the lids afterward.

It indeed takes the entire day to complete your work, but the time went quickly as you spent your hours in a creative, constructive flow space.

You’ve finished, and you stand in the doorway and take a last look around the room. The boxes are in neat rows, their lids closed, and you are confident the devices within the boxes are working perfectly. You know the department’s output will be very good now because each of its mechanisms is working flawlessly. How could it be otherwise? You also know the new department manager will be system-improvement oriented, watching over the details of the department, not allowing it to fall back into disarray. There will be routine maintenance. As you turn off the lights and walk out the door, you are intensely satisfied with your work and with yourself.

There it is—the systems mindset approach in which one sees life as a collection of individual systems (or call them processes or mechanisms or machines) that are to be, one by one, isolated and then made perfect. And once perfected, they are routinely coddled for maintenance and upgrading.

Here’s the no-brainer that eludes most people: in the course of a day and in the course of a life, each movement we make is a single step in a linear sequence of steps intended to accomplish one or another goal. Each thing we do is a component of a system, a system that has a purpose.

Photo: Trinity makes her entrance. Opening scene from the 2003 movie, The Matrix: Reloaded (and 2nd episode of the Matrix movie trilogy).

 

Posted on June 21, 2010

{ 5 comments… read them below or add one }

David June 22, 2010 at 11:24 pm

Hey Sam,
One of my all time favorite movies also. By the way, have you ever seen the Neo-Tech material? Much of the philosophy of NT is in the Matrix. Just a thought.

Sam Carpenter June 23, 2010 at 6:18 am

David: I Googled “Neo-tech.” Does this have to do with a guy by the name of Frank Wallace? If so, Wiki doesn’t smile brightly on his memory (jail time, and then he was run over by a car four years ago…).

Do you think the Wachowski’s screenpaly for The Matrix was evovled from Wallace’s philosopy?

Alex Goodall June 24, 2010 at 6:25 pm

Highly unlikely.

It seems that Wallace’s philosophy is based on Objectivism, and that is far too constraining to provide the basis for the Matrix.

If you want an ‘official’ explanation of the meaning behind the Matrix, you won’t find one. The best you’ll find is a commentary by two philosophers which the Wachowski brothers asked them to do. See
http://in.integralinstitute.org/talk.aspx?id=205

One of them – Ken Wilber – is my favourite author and thinker: he has radically changed my view of the world. And he most certainly is NOT constrained by Objectivist views!

Alex

Sam Carpenter June 30, 2010 at 6:52 am

Thanks Steve. It’s killer, isn’t it! I think just building up a history (“I’ve been off caffeine for six weeks now”) helps a lot. It’s a lot like AA in which people get coins representing they haven’t had a drink for X number of months or years. It really does take months to shake it completely. In the meantime, it’s one of those things in which the benefits of staying away from it are hard to measure so one just has to be tough with oneself.

The thread you may be looking for may have to do with this: the craving is especially psychological. There is a physical dependency, but caving in usually happens when one is a depressed and/or tired. So, a key is to do what needs to be done to get out of a “down” state using other means (exercise, or some diversion or another…). It also means getting enough sleep. Remember that lost sleep HAS to be recouped and it can take a while, maybe months, to get caught up.

Ian August 28, 2010 at 12:36 pm

I am a die hard THE MATRIX fan. I have the movies. Both videogames. I don’t have THE MATRIX ONLINE game. (It seemed pretty hokey.)

There are a lot of interesting things and themes in THE MATRIX universe…there is martial arts…there is sci-fi…there is Biblical martyrism and some iconography…a war flick…Alice in Wonderland references…multiculturism…vampires and werewolves mysticism…romance movie…manga…CGI effects galore…film score elements…visual treatments to the entire film to give it that olive green/electric green hue (like the monochromaticism of the old DOS PCs of the 80s…sexual and alternative fetishes…witchcraft…
computers…and machines.

I like movies that have a simple plot but has a lot going on with interesting details. I almost didn’t go see INCEPTION (the Christopher Nolan film) because of a bad film review saying that it was too cerebral. I decided to go see the movie a couple of weeks ago. And I was floored!!! I even liked Hans Zimmer’s film score for it.
I am still looking for it at Best Buy…Target…Wal-Mart. Where is the film score? :)

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